Bisma Jay

Artist Statement

A young teen looking for a breakthrough packs up all their stuff and takes one last walk around their family home before departing indefinitely.

Mint Green Walls

I honestly wonder what it’s like to know that once you come out to your family that everything will be okay. That you will all still be safe and happy and love one another. I know that’s what family is like, unconditional love at its best, that is how it’s supposed to be. However, what if it’s not always like that? What if you get the rug pulled from underneath you and all of that safety and comfort that once was is no longer there holding you up. What if the rug was pulled by those unconditional loving parents you hoped for? You dreamed for? What would happen then? I can tell you what would happen.

You end up packing up your room when no one is looking. Carefully folding the maroon dress pants your mother bought you, the mustard yellow blouse you wore to the family picnic, and the black sweater you stole from your brother’s closet. You then walk over to the very bottom drawer on the left side of your dresser and take out the mesh bodysuit your father would have a heart attack over, the shorts you were forbidden to ever wear, and all of the crop tops you mercilessly cut up for sneaky school dances. I took what was left of my double life as a queer Muslim teen living with their overbearing parents and I packed them up one by one in big black garbage bags ready for transport.

After a sleepless night riddled with anxiety, I waited until both my parents had gone to work, hearing their heavy footsteps walking towards the door and the keys turn in the lock, while my brother slept soundly next door to me. I took my giant garbage bags, carrying them upstairs, one by one, to the back door, waiting for a taxi to pull up and take me away. Before I left, I took one last walk around my family home. I touch the mint green walls of my bedroom, walls that have housed my pain for too long. I stand in the kitchen, imagining my mother cooking dinner,chicken biryani to be exact, that was always my favorite. I go to my dad’s study and flip through his notebook, carefully hand written notes decorate the pages. I leave my goodbye letter on his desk, balancing it along his monitor.

I slip out through the back door and my yellow taxi pulls up, I pack my belongings in the trunk. It’s not much, just my acoustic guitar and 2 bags of clothes, I didn’t need anything else. Well, maybe I did need more, at least I hope for more, but more wasn’t coming with me. The hope for more was left in those mint green walls, along with any trace of the person my family once knew.

- Bisma Jay

Artist Statement

Three years later the same tea brews on the stove top. Smells of cardamom, cinnamon and cloves flow through the house. The news plays on the TV, an endless loop of the latest updates on the world-wide pandemic. There are oranges. Oranges served on an endless platter, reminding me of the orange orchards we own in Pakistan. Endless whispers infiltrating the walls, echoing the privacy of a home and the privacy of a mind.
Three years after leaving my family’s home and leaving the double life I was living as a closeted queer Muslim teen, I moved back. In this time, I found myself experiencing many conflicting emotions that I couldn’t begin to express and dissect for myself.
I photographed myself in various areas of the house in black and white and wrote quotes and drawings over them. Words that have been spoken to me hundreds of times, and the responses I’ve endlessly repeated myself. “What would people say” quietly ricochets off the walls every time a misstep occurs.
Constantly being confronted with my queerness as a sin. In one of the images I have Surat Lot, a passage from the Quran, written on my palms with henna. This passage is often quoted to me on my online posts by some Muslims as a means to justify their homophobia. In other images, I showcase more intimate occasions of alienation. Seeking a small moment of peace in the privacy of a washroom and still not finding it, or the feeling of guilt for not spending enough time with my parents.
With this series, I explore how my relationship with religion, family and my own queer identity has grown and how that has manifested in the atmosphere of our home. These self-portraits are a reflection of my journey into navigating and understanding an environment I was no longer familiar.

Whispers

About Bisma Jay

Bisma Jay is a queer and non-binary multi-media artist currently studying photography at OCADu in Toronto. Their work surrounds creating more positive representation of queer and trans South Asian folks living in the diaspora through various photo series', videos, and workshops. In their spare time they like to make videos for TikTok, paint, and take endless self-portraits.

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