Gnanu is a community worker, researcher and beatmaker, looping and mashing his way through the archives. He rewinds and fast forwards, sampling and layering ghosts (stories) and prophecies (theories), hoping to connect and center marginalized histories. He is inspired by his hometown of Scarborough, where he grew up watching community members engage in development, activism, and mutual aid without institutional support.
Born in Black and gay dance floors in the United States, disco music transformed fashion, dancing, and pop music around the world. This futuristic and ecstatic art form blew through speakers from Manila to Mogadishu before succumbing to 80's commercialism and conservatism. But, in Scarborough's diasporic enclaves, hidden in plain sight is a whole living history of disco ravers and bell-bottom wearers. Ask your parents and grandparents, what does disco mean to them? What would an alternate reality of a 1970's Scarborough with a diaspora disco scene feel like?